STARRED REVIEW
February 2024

Interesting Facts About Space

By Emily Austin
Emily Austin’s quirky main character, Enid, is trying to figure out what’s causing her panic attacks, and why someone seems to be stalking her. She’s also pretty sure that she’s a terrible person.
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As with her first novel, Everyone in this Room Will Someday Be Dead, Emily Austin’s Interesting Facts About Space features a quirky main character in Enid, who loves listening to true-crime podcasts to calm down. “I hate being startled,” she notes. “I like my podcasts, horror movies, and ghost stories that I can pause and rewind. I handle fear sort of like a workhorse. I could charge bravely into a planned battle, take in the sights of bombs and corpses, but I would still be spooked by an unanticipated barn rat.” When we first meet her, Enid is listening to a particularly grisly podcast while baking a gender reveal cake for her pregnant half sister Edna. Into this moment comes a stranger who’s furious at Enid, and the exchange unfolds in such an unexpected way that I laughed out loud more than once.

Enid is half-deaf, neurodivergent and gay. She’s also pretty sure that she’s a terrible person. In short vignettes, Enid narrates her attempts to navigate an uncomfortable new relationship with her half sisters and keep tabs on her depressed mom. With the help of her best friend Vin, Enid’s also trying to figure out what’s causing her panic attacks, and why someone seems to be stalking her. Enid and Vin work at the Space Agency, managing information, from which Enid’s gathered a vast array of random facts about outer space, which she shares with her mother in attempts at connection.

The novel’s comic scenes of misunderstandings and non sequiturs are interspersed with Enid’s musings about herself, her high-school years and her parents. Enid may be in her 20s, but Interesting Facts About Space is a coming-of-age story. Balancing the comic and the dark, the novel slowly reveals the essential sadness in Enid’s past that she can’t let herself see, and though occasionally the novel’s first-person, present-tense voice can feel a little claustrophobic, that’s a small quibble. In a lesser writer’s hands, Enid’s quirky traits could feel constructed, but Austin makes Enid’s vulnerable voice and deep thoughts feel brave, heartbreaking and true.

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